When does a tradition become a tradition? When you do it out of habit? When you don’t feel its impending arrival burden your heart for a second before it arrives? Or when it becomes such a seamless part of the life you live that you just can’t imagine a world without it?
I guess I’ve reached that point. This entry marks five years since I first started watching five Netflix Christmas films, and writing brief reviews of them for this blog every holiday season. In the months that precede and follow the holidays, I’m as far from writing as I could be. My day job is a living pursuit of a whole other passion. But, I did it. For some reason, even if my life is barely a life where I write regularly, here I am– another Christmas, another blog.
So, here I go again. I hope you’ll enjoy it.
Here’s to another five years, and another five blogs!
Falling for Christmas
A millennial blast from the past comes to life with the acting return of Lindsay Lohan alongside Chord Overstreet, who I only know as that hot blonde guy from Glee who I thought was cute when I was a teenager. Snobby heiress loses her memory after falling from a cliff, and ends up in the arms of a widowed resort owner and his down-on-its-luck ski resort. The plot is cookie cutter Netflix Christmas, but I feel like its a film that will resonate with millennials who grew up on Lindsay Lohan. The best part of the film was her ebullience–you could tell she was so happy to be there, so happy to be acting again, and that adds to the charm of Falling for Christmas. Unfortunately, she plays snobby heiress a bit like Cady Heron, but richer and dressed in couture (read: too nice!). Either way, it’s a respectable return, and a good start. Hoping to see more!
Christmas at the Palace
Ever wonder what it would be like if stock images came to life and ended up as a Netflix movie? Christmas at the Palace is your answer. Skating choreographer ends up working during the holidays when she agrees to produce a Christmastime show for male model/king/widower and his meh princess of a daughter. A mess of a film and a plot with potential wasted terribly thanks to bad acting–flat out bad acting. I hope someone picks up on the theme of skating and Christmas in another movie because that is a plot point that has so much potential if done right, and done beautifully. Lifeless is an understatement to describe the chemistry between the leads. P.S. Someone needs to do a ranked list of Best and Worst Netflix Christmas Movie Daughters. Why do they always have daughters? Why not sons?
Elf
A mainstream film that always seems to appear on quintessential Christmas film lists. I gave it a watch after so long and the appeal is there–unlike Netflix movies, it doesn’t slap you in the face with Christmas, but presents a plot tied to the holiday in a sensible, non convoluted manner. Its themes are also pretty constant when it comes to the holidays, and I think that’s what adds to its charm. What doesn’t add to its charm is the gratuitous spaghetti and chocolate syrup scenes. That was gross.
This Christmas
I consider this a goldmine find– a slice of life movie that centers on dynamics and not the occasion with a talented cast of African American actors that have gone on to bigger things (Idris Elba, Regina King, Loretta Devine, etc.) since 2007. The film centers on the Whitmore family, their first holiday celebration together in four years and the shenanigans that go along with the season. It’s been called cliché, but the film does those tropes good and makes the movie a timeless watch. My favorite part is how the writing unfolds the conflicts that the film presents–beginning with a seemingly wholesome family celebration, and slowly peeling away, onion style, to unearth the not-so savory themes underneath.
It apparently did pretty well at the box office when it came out in 2007, so I’m wondering why people don’t bring this film up when we talk of holiday films. Could it have something to do with Chris Brown being in it? I have no idea.
A California Christmas
I’ve hovered over the previews of this movie while browsing my Netflix homepage for a while, but I’ve been reluctant to watch given my lack of success with non snowy Netflix holiday films.
Newsflash: I’m still UNSUCCESSFUL!
I don’t know if it’s because I’ve been reading too much real world accounts of what life is like for farmers in the US taken advantage of by big agriculture companies, but this story just wasn’t it for me. On the one hand, they probably wanted to make it relatable, on the other hand, I… it just made me uncomfortable.
Plot issues aside, it’s not like the film had anything else to offer. The girl is too serious, burdened by the plot with everything from debt to an ailing mother. The guy is an unconvincing playboy, whose spoiled streak disappears after a badly done montage. How did he go from ‘oooh I’m too rich for this farm work shit’ to natural ranch hand so quickly? A little context would’ve helped add some credibility to this, but the film just doesn’t have that.
The end, given the beginning, is predictable. The real question is: how did this shitty movie get a sequel? WHO asked for more? I sure didn’t.